FocusingScreen.com focus screen review (Canon XTi/400D)

Preface

If you haven’t seen my previous posts on the subject, I’ve had a little bit of an obsession on film cameras. It started innocently with a couple rangefinders and a TLR, then started growing. An old Rolleiflex SLR, another rangefinder, another SLR, a 90s point & shoot; I’ve become obsessed with the value of older optics and their potential for image quality.

I had heard of people using old manual focus lenses on their modern SLRs but never really gave it much thought. Mostly because I was on a film binge. The film bingeing has subsided (for now) so I bought a couple of cheap lenses (Asahi Super-Takumar 55mm ƒ2 and a Fuji EBC Fujinon 55mm ƒ1.8) and an adapter to mount them on my Canon XTi (400D for you folks across the pond, Kiss Digital X the Asian crowd). All toll, I think I might have been out $45 for the three items (all from ebay… of course). Not bad considering even the cheap-o Canon EF 50mm f/1.8 II will run you between $90 – $100 shipped and I’d argue the Super-Tak is just as sharp with better bokeh.

The Issue

The best manual lens you could get for your digital SLR is only good if you can focus properly. And, when you have a manual lens on your camera, your auto-focus system doesn’t work and most entry level DSLR have pretty crappy viewfinders (dim and small). Yes, they make adapters with focus confirmation which will trick your camera into thinking it has an AF lens on there so that your AF system will tell you when it “thinks” your shot is in focus. I haven’t used one personally, so I can’t really confirm (look, a pun) nor deny their usefulness and/or accuracy.

Personally, I prefer the old school method of a split-image / micro-prism matte focusing screen.

Choices

There are, as far as I know, three choices to choose from. The ever popular Katz Eye focusing screens, the slightly more affordable Haoda focusing screens, and focusingscreen.com. The Katz Eye and Haoda screens both have good reviews all over the web and I probably would have given one of them a chance if I were not in a penny-pinching mode. The Katz Eye starts at $105 and the Haoda at $72 plus shipping. It’s not a bad price for the quality of product, but the focusingscreen.com basic model is $45 and change plus shipping (and tax if your fortunate enough to live in a state with such a thing).

Well, there’s actually a fourth option which I have tried, but didn’t quite workout. It involves dismantling some older camera with a focusing screen, sanding it down to size and installing it. On the XTi I can say that the focus screen that comes in an old Canon T-50 will not work without some serious engineering. You can give it a shot, but, it will be much easier on your constitution to just buy one of the aforementioned products.

The Canon T-50 focus screen is much larger than that of the XTi

The Canon T-50 focus screen is much larger than that of the XTi

Sanded down to size, the T-50 focus fits, but is too thick and needs re-engineering.

Sanded down to size, the T-50 focus fits, but is too thick and needs re-engineering.

The focusingscreen.com Screen

Installing the screen isn’t really that difficult. It just takes a steady hand and some patience (neither of which I possess). I’d recommend having a professional do it purely for the fact that the focus screen is a precision part of your camera’s operation. Screw it up, and you’ll end up paying to get it fixed anyway. I’m currently half way there. The focus screen is installed, but since I live with a bunch of animals, there’s a nice hair in there that I can’t get out. Not detrimental to it’s operation, but annoying nonetheless.

Now, on to the good bits. The focusingscreen.com screen is nice. It has everything you need in a basic focus system: split-image focusing for lining up straight edges in your composition, a micro-prism circle for everything else. Once you get it dialed in and focus is accurate, the split-image / micro-prism is an enormous improvement when it comes to focusing. The focus screen I purchased also has some laser cut dots where the AF points are (with the exception of the center point since it’s occupied by the split-image) so when using an AF lens (like, say, the Canon EF 24mm f2.8), they light up just like normal. They don’t particularly line up for me, but you can certainly see which points are flashing at you. Handy! That’s an extra $45 alone on the Katz Eye.

It came very well packaged and with all the necessary tools to install it yourself. It even came with two finger condoms. How thoughtful. I ordered the focus screen on April 6th and it arrived on April 14th. Pretty fast service coming from Taiwan.

The focusing screen kit came well packaged complete with two finger condoms.

The focusing screen kit came well packaged complete with two finger condoms.

There is a downside to focus screens. The split-image gets dark around f5.6 or f8 and becomes close to impossible to focus. This plagues pretty much all focus screens no matter what brand, type, or age of camera/lens. Cameras that use lenses with ‘Auto’ mode (meaning they automatically ‘stop-down’ the aperture blades when the shutter is pressed) don’t see this because the aperture is always wide open. Unfortunately, on a DSLR with an adapter, that mechanism doesn’t likely exist so you have to manually stop-down the lens when taking the picture after focusing. Not really the fault of the focus screen, but more of an issue with old manual lenses on a digital body.

Another issue (and this might not be an issue at all for some) is the fact that the company is based in Taiwan and their English is less than perfect. Support might be challenging. But, for $45 plus shipping, it’s easy to overlook this. If you’re concerned about support, both Katz Eye and Haoda are noted to have excellent service and support (or, so I’ve read).

A Test Shots

I haven’t done any precise measurements in terms of how accurate the installed screen is, but from the below picture, what was intended to be in focus, is actually in focus.

Canon XTi + FocusingScreen.com focus screen + Vivitar Series 1 70-210mm f3.5

Canon XTi + FocusingScreen.com focus screen + Vivitar Series 1 70-210mm f3.5

Canon XTi + focusingscreen.com focus screen + Vivitar Series 1 70-200mm f3.5 Macro

Canon XTi + focusingscreen.com focus screen + Vivitar Series 1 70-200mm f3.5 Macro

Update

More test shots. This time with a ruler. Not pretty, but shows the accuracy of the focus screen. I did three tests with three different lenses and two different mounts.

  1. Asahi Super-Takumar 55mm ƒ2
  2. Fuji Fujinon 55mm ƒ1.8
  3. Olympus Zuiko OM-System 50mm ƒ1.8

All three shots were taken wide open and focused as best I could. I tried to focus on the 90 of the ruler using the micro-prism. Exported from Aperture (from RAW) with Auto-Levels applied in Photoshop for contrast. Given the small size of the lettering and shallow depth of field, it was more difficult that I thought. While they appear to be a tad off, I’d still say the focus screen is accurate. I may redo the test in better lighting at some point. But, here’s the shots.

1. Super Takumar 55mm ƒ2

1. Super Takumar 55mm ƒ2


2. Fuji Fujinon 55mm ƒ1.8

2. Fuji Fujinon 55mm ƒ1.8


3. Olympus Zuiko 50mm ƒ1.8

3. Olympus Zuiko 50mm ƒ1.8

Conclusion

The focusingscreen.com focus screen is a very useful tool. Even if you never plan on using a manual focus lens, it can provide valuable feedback. Feedback your AF points will never give you. You will know what is exactly in focus. If you’ve used an old 35mm film SLR, you’ll feel right at home and most likely enjoy the familiarity. If you’ve never used one before, it’s an easy concept to grasp. I highly recommend them.

Is the focusingscreen.com screen superior to the katz Eye or Haoda version? I don’t know. Is it worth the roughly $60? Absolutely.

New Obsession: Film Cameras & eBay

I think I’ve always liked taking pictures. Even as a kid, I can remember the feeling I’d get when using my dads “great little [110 camera][1].” Not knowing what the end result was going to be for weeks until he got the film processed. Naturally, most of the pictures I took were either out of focus or blurry, but, it was fun nonetheless (maybe not so much for my dad when he got the pictures back from Longs Drugs and realized I had “taken” a few shots of my own).

Digital is an awesome medium, don’t get me wrong, but I think that the instantaneousness of it takes a lot of fun (read: thought) out of what photography is all about: the image. With a digital camera (be it SLR or point-and-shoot) you can always rely on that little button on the back of most cameras. You know, the one with the trash can icon. You begin to take things composition and exposure compesation for granted and the next thing you know, you’ve just turned your fancy new DSLR into an expensive point-and-shoot. Especially since they all have that nice Auto mode where the camera does everything short of pushing the button for you. There’s a lot of things to consider when taking a picture aside from what you see in the view finder. The digital revolution has made it easier for people (myself included) to do the [Ron Popeil][2].

I haven’t owned a lot of cameras, really. Certainly less than [Matt Denton][3]. But I’ve had my share. From the fantastic Olympus Stylus (Mk I) to the cheap Chinon to an awesome [Nikon FE][4] (which I miss dearly) to my current digital SLR. I gave up my Nikon about a year or so ago and now I wish I hadn’t (especially when I sold it for like $75 on eBay and if I wanted to get another I’d be looking at $150+).

Speaking of Mr. Denton, I have him to thank for this newly renewed fascination with film cameras. His site is chock full of wonderful images and information on lots of good, old, *quality* cameras that can be had at a relatively little expense. They certainly don’t build cameras like they used to and the glass that came on some of these old timers is truly impressive. Even more so when you paid a fraction of the cost of an equivalent lens for your DSLR! I can also blame [e][5] for a lot of my impulse buys and obsessions.

Here’s a list of the latest goodies I’ve picked up just in the past couple weeks:

### 1. Yashica Electro 35 GSN (c. 1973)
This is a fantastic little [rangefinder][6]! It’s an aperture priority, manual focus camera with a really good Color Yashinon 1:1.7 f=45mm lens. It’s sharp and contrasty. This camera is really quiet to. Just a tiny little “click” when it fires. Picked it up on eBay for about $40 shipped. Plus it came with a cheesy, burnt orange leather case filled with goodies (flash, light meter, original manual and a polarizer). Bonus! I’ve managed to shoot two rolls (3 if you count the tester) film so far and working on my third. See my [Yashica Electro 35 GSN][7] set over at [flickr][8] for some samples.

### 2. Minolta Electro Shot (c. 1965)

Minolta Electro Shot Another great little rangfinder. Too bad I can’t get it working. It’s in good condition and everything appears to function, but the shutter seems to be stuck. The lens on this little guy also appears to be impressive; Minolta Rokkor-QF 1:1.8 f=40mm. I’ll have to take it apart and see if I can un-stick it. I pick this on up on eBay as well. I wasn’t really serious about buying this one, so I bid low (something like $3 USD) figuring someone would out bid me. Well, no one did. Winning bid: $1.04 US. Shipped to my door cost me less than $8. What a bargain. Even if I can’t get it working, it makes a nice $8 mantle piece.

### 3. Yashica-Mat 124 (c. 1968 ~ 1971)
Yashica Mat 124 TLRThis is a medium format TLR (Twin Lens Reflex) camera modeled after (read: copy of) the tried and true [Rolleiflex][9] TLRs but at a fraction of the price. A true impulse buy. I just won it today (again with eBay, that site is going to ruin me) for $100 US shipped to my door. I could be questionable, but at $100, I don’t care. Even if it costs me another $50 to make it new again, it’s still a fantastic camera, and 120 film… need I say more?

If you’re thinking of shooting film (either again or as new) think about getting a nice *working* older camera. Matt Denton’s site has a very nice list of lesser known (in amateur circles) cameras that usually come with exceptional glass (see Konika and Yashica SLRs) that can be had for very reasonable prices. I’ve been watching eBay (I know, I know) and you can usually pick up a used [Konika Autoreflex T3][11] with either a Hexanon AR 1.7/50mm or the even better Hexanon AR 1.4/50mm lens for between $10 and $50 depending on the condition.

For now, I’m done buying cameras. Not necessarily because I want to, but because I don’t want to get overwhelmed with a bunch of cameras and have no time to shoot. Well, there’s that… and my financial advisor has instated a moratorium on camera purchases for a while.

[1]: http://en.wikipedia.org/wiki/110_film
[2]: http://en.wikipedia.org/wiki/Ron_Popeil
[3]: http://mattdentonphoto.com/cameras/index.html
[4]: http://en.wikipedia.org/wiki/Nikon_FE
[5]: http://www.flickr.com/photos/bajanga/
[6]: http://en.wikipedia.org/wiki/Rangefinder_camera
[7]: http://www.flickr.com/photos/sesser/sets/72157608342802876/
[8]: http://www.flickr.com/
[9]: http://en.wikipedia.org/wiki/Rolleiflex
[11]: http://mattdentonphoto.com/cameras/konica_auto_t3.html